‘The hour approaches, Tam maun ride’: Tam o’ Shanter and the Uncanny Scottish Gothic 

When Horace Walpole discredited the Fragments of ancient poetry (1760) – a ‘found’ manuscript purportedly written by Ossian and published by James Macpherson – only to then publish his own ‘found’ manuscript four years later, the Gothic literary aesthetic became a nationalist battleground. In ‘The Politics and Poetics of the “Scottish Gothic” from Ossian to […]

‘[…] a distant country from which I now live’ – Walter Scott, the voiceless, and Blackwood’s Highland Gothic

The study of Scottish Gothic has been dominated, almost inevitably, by the presence of the 1707 Act of Union. This essentially political event embodies cultural implications whose persistence has affected not merely those fictions historically written out of Scotland but also the critical interpretations imposed upon them from the eighteenth century to the present day. […]

“It’s an unco place, the Bass”: A Scottish EcoGothic interrogation of Robert Louis Stevenson’s ‘The Tale of Tod Lapraik’

Nick Groom, in his article considering the Celtic roots of a Scottish Gothic, states that its Scot-Celtic past evolves from ‘antiquarianism, racial politics and national identity, and, as such, the terms [Celt and the Celtic] are not dissimilar to “Goths” and the “Gothic”.’ This Celticism, whilst akin to Gothic imaginings, also has a rooted tradition […]


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