‘The Genius of Scotland: the Cultural Production of Robert Burns, 1785–1834’ by Corey E. Andrews
The Genius of Scotland is an impressively thorough survey of the reception of Burns’s verse and the cultural context which shaped that reception. The first chapter explains the Scottish Enlightenment theories of ‘genius’ which Burns’s emergence was taken to vindicate. Subsequent chapters describe the flurry of reviews that greeted the Kilmarnock and Edinburgh editions of Poems, Chiefly […]