Book Reviews

‘Fugitive Colours’ by Liz Lochhead

Review by Richie McCaffery

‘From Arthur’s Seat: Creative Writing from the University of Edinburgh’ edited by Alyson Kissner, Amani Al-Remal, et al.

Review by Robert Wirth

‘Flout’ by Stephanie Green

Review by Alison Craig

‘Dirt’ by William Letford

Review by Colin Bramwell

‘The Comet Seekers’ by Helen Sedgwick

Review by Valerie Khaskin

‘Collyshangles in the Canopy’ by Ian Brown

Review by Colin Bramwell

‘The Brilliant & Forever’ by Kevin MacNeil

Review by Alistair Braidwood

‘Armadillos’ by P.K. Lynch

Review by Laura Morgan

‘Billionaire’s Banquet’ by Ron Butlin

Review by Alistair Braidwood

‘Ashland and Vine’ by John Burnside

Review by Pippa Goldschmidt

‘Vandalism’ by Lizzie Eldridge

Review by Martyn Colebrook

‘Santiago’ by Cheryl Follon

Review by Alison Craig

‘Redomones and Eye to the Future’ by Alan MacGillivray

Review by Richie McCaffery

‘Infinite Ground’ by Martin MacInnes

Review by Martyn Colebrook

‘Immortal Memory: Robert Burns and The Scottish People’ by Christopher A. Whatley

Review by Arun Sood

‘His Bloody Project’ by Graeme Macrae Burnet

Review by Caroline McCracken-Flesher

‘The Genius of Scotland: the Cultural Production of Robert Burns, 1785–1834’ by Corey E. Andrews

Review by Robert Irvine

‘Flesh of the Peach’ by Helen McClory

Review by Alison Napier

‘Fallow’ by Daniel Shand

Review by Robert Wirth

‘The Daughter of Lady Macbeth’ by Ajay Close

Review by Laura Morgan

‘Community in Modern Scottish Literature’ edited by Scott Lyall

Review by Eleanor Bell

‘Black Cart’ by Jim Carruth

Review by Louisa Gairn

‘Sociolinguistics in Scotland’ edited by Robert Lawson

Review by Maggie Scott

‘Robert Burns: Selected Poems and Songs’ edited by Robert P. Irvine

Review by Corey E. Andrews